Outline

Tuesday, 30th August
14h00—17h00 Enrolment,
Fraser Building, Glasgow University
17h00—18h00 Performance by Razia Sultanova, and a Concert/Workshop of music by delegates Judith Shatin, Nicky Hind, and Tom Hall (with Scottish Voices Ensemble and Instrumentalists)
Glasgow University Chapel
18h00—19h00 Reception
(Glasgow University Chapel)
Buses to the accommodation venues will leave from outside Glasgow University Chapel at 19h30
Wednesday, 31st August
09h30—13h00 Presentations at Glasgow Caledonian University
14h00—18h00 Presentations at Glasgow Caledonian University
Buses to Glasgow City Chambers will leave from outside Glasgow Caledonian University at 18h30
19h00—21h00 Civic Reception
Glasgow City Chambers
Buses to the accommodation venues will leave from outside the Glasgow City Chambers at 21h00
Thursday, 1st September
09h00—13h00 Presentations at Glasgow Caledonian University
14h00—17h00 Presentations at Glasgow Caledonian University
Buses to Glasgow City Halls Recital Room will leave from outside Glasgow Caledonian University at 17h30
18h00—19h00 Recital of works by Cornelius Cardew
Glasgow City Halls Recital Room
Buses to the accommodation venues will leave from outside the Glasgow City Halls Recital Room at 19h30
Friday, 2nd September
09h00—13h00 Presentations at Glasgow Caledonian University
14h30—17h00 Presentations at Glasgow Caledonian University
Buses to Glasgow University Chapel will leave from outside Glasgow Caledonian University at 17h30
18h30—19h30 Performance by conference delegates from Aberdeen University and the Schola Cantorum Basiliensis
Glasgow University Chapel
19h30: Buses to the accommodation venues will leave from outside the Glasgow University Chapel
Saturday, 3rd September
09h00—13h00 Presentations and demonstrations Glasgow University Concert Hall

Programme Summary

A summary of the combined programme may be viewed as a PDF file (Version 2.0.0: Status: Definitive; Final; Beautiful)

Presentations

Key to table:

Plenary Session Parallel Session A Parallel Session B

09h30, Wed 31st Aug
[Abstract]
Prof Judith Shatin University of Virginia: Department of Music
Prof Michael Kubovy University of Virginia: Department of Psychology
Musical Necklaces: The Art and Science of Temporal Organization
09h30, Wed 31st Aug
[Abstract]
Marcelo Gimenes Núcleo Interdisciplinar de Comunicação Sonora (Campinas State University, Brazil)
Antônio Rafael Carvalho dos Santos Instituto de Artes (Campinas State University, Brazil)
Improvisation and the use of interactive systems in musicology
11h00, Wed 31st Aug
[Abstract]
Prof Emery Schubert University of New South Wales
Preference, Emotion and Music
11h00, Wed 31st Aug
[Abstract]
Murphy McCaleb , Tychonas Michailidis Birmingham Conservatoire, Birmingham City University
Making Sense: Sensory input’s effect on live electronic music performers
11h45, Wed 31st Aug
[Abstract]
Adam R. Tindale , George Tzanetakis Alberta College of Art & Design, University of Victoria
The E-Drum: A Case Study for Machine Learning in New Musical Controllers
12h00, Wed 31st Aug
[Abstract]
Jennifer MacRitchie , Hubert Eiholzer Conservatorio della Svizzera Italiana
Exploring the perceptual effects of performers’ interpretations
12h30, Wed 31st Aug
[Abstract]
Philip Wigham , Carola Böhm Manchester Metropolitan University
The BaserBow: an Instrument based on the Exploration of the Concept of Mimetic Participation for the Development of Multi-Modal and Multi-Gestural Devices
14h00, Wed 31st Aug
[Abstract]
Prof Martin Clayton , Dr Laura Leante The University of Durham, Department of Music
Imagery, gesture and listeners’ construction of meaning in North Indian Classical Music
14h00, Wed 31st Aug
[Abstract]
Carola Böhm Manchester Metropolitan University
Exploring methodological issues around the design of music information systems
14h45, Wed 31st Aug
[Abstract]
Şehvar Beşiroğlu , Yaprak Melike Uyar State Conservatory of Turkish Music, Istanbul Technical University (Turkey)
MUSICAL ASPECTS OF THE REPRESENTATION OF WHIRLING DERVISH RITUALS AS PUBLIC PERFORMANCE
14h45, Wed 31st Aug
[Abstract]
Anna Jordanous , Bill Keller University of Sussex
What makes a musical improvisation creative?
16h00, Wed 31st Aug
[Abstract]
Dr Razia Sultanova University of Cambridge
From lullabies to laments: Rites of passage in Uzbek female communities
16h00, Wed 31st Aug
[Abstract]
Enric Guaus Deptartment of Sonology, School of Music of Catalonia, Barcelona, Spain.
Jaume Ayats Music in Contemporary Societies, Universitat Autònoma de Barcelona, Barcelona Spain.
Does acoustics contribute to polyphonic chants in Corsica?
16h30, Wed 31st Aug
[Abstract]
Prof Valerie Ross Universiti Teknologi MARA, Malaysia
Musical Learning through Listening: Comparing Western and non-Western Approaches
17h00, Wed 31st Aug
[Abstract]
Dr Margaret Mackay The University of Edinburgh
John Levy (1910-1976): Religious Exploration and Musical Quests in the East
17h00, Wed 31st Aug
[Abstract]
Mariana Lopez , Dr Sandra Pauletto Department of Theatre, Film and Television, University of York
Virtual acoustics and the study of music in the York Cycle
09h00, Thu 1st Sep
[Abstract]
Katherine L. Campe Harvard Graduate School of Education, Cambridge, USA
Brian L. Kaufman Conservatory Lab Charter School, Boston, USA
El Sistema: Development Beyond the Orchestra
09h00, Thu 1st Sep
Michael Chant Composer and Chair, Cornelius Cardew Concerts Trust
Music, Society and Progress
09h30, Thu 1st Sep
Lesley Larkum Head of Strings, Dulwich College
The New and tradition in the Music of Cornelius Cardew
09h45, Thu 1st Sep
[Abstract]
Melissa Dobson , Helena Gaunt Guildhall School of Music & Drama
Musical and social communication in expert orchestral performance
10h00, Thu 1st Sep
Dr Hakim Adi Emeritus Reader in History at Middlesex University
Working with Cornelius Cardew as a political activist
11h00, Thu 1st Sep
[Abstract]
Piotr Podlipniak Department of Musicology, Adam Mickiewicz University, Poznań, Poland
Edward Jacek Gorzelańczyk Institute of Psychology, Departament of Neuropsychology and Behavioral Genetics Kazimierz Wielki University, Bydgoszcz, Poland
Music performance features and their biological function in tonal music
11h00, Thu 1st Sep
Saroj Bains Film-maker, Montreal
Film and Talk
11h45, Thu 1st Sep
[Abstract]
Rytis Ambrazevičius Kaunas University of Technology; Lithuanian Academy of Music and Theatre
Robertas Budrys Vilnius Music School “Ąžuoliukas”
Irena Višnevska Institute of Arts, Polish Academy of Sciences
Performance rules in academic and traditional music
12h00, Thu 1st Sep
Kerry Yong , Natalie Tsaldarakis Pianists, London
Discussion of performance
14h00, Thu 1st Sep
[Abstract]
Prof Mark Plumbley Director, Centre for Digital Music School of Electronic Engineering & Computer Science Queen Mary University of London
Analysing Digital Music
14h00, Thu 1st Sep
[Abstract]
Margaret McAllister Berklee College of Music, Boston, MA
Performance and Dissonance in the Two-Part Inventions of J. S. Bach
14h30, Thu 1st Sep
[Abstract]
Stephen Husarik University of Arkansas, Fort Smith
Beethoven’s Grotesque Comedy: Rhetorical Aspects of Grosse Fuge, Opus 133
15h00, Thu 1st Sep
William Evans n-ISM; Science and Music Research Group, Glasgow University
A Performance and Composition-based New Model and Interface for Popular Digital Music Production
15h00, Thu 1st Sep
[Abstract]
Kurt Ozment Bilkent University
What I Hear in Morton Feldman's Why Patterns? and For John Cage
16h00, Thu 1st Sep
[Abstract]
Jane Ginsborg Royal Northern College of Music
Roger Chaffin , Alexander Demos University of Connecticut
Preparation and spontaneity in performance: effects on subsequent recall
16h00, Thu 1st Sep
Luis Gomez Science and Music Research Group, Glasgow University
Determination of parametric modal parameters for string instrument models
09h00, Fri 2nd Sep
[Abstract]
Rytis Ambrazevičius Kaunas University of Technology; Lithuanian Academy of Music and Theatre
Robertas Budrys Vilnius Music School “Ąžuoliukas”
Irena Višnevska Institute of Arts, Polish Academy of Sciences
Validity of acoustical pitch evaluations in traditional vocal performance
09h00, Fri 2nd Sep
[Abstract]
Prof Mark Pollard The University of Melbourne, Department of Music
Reconstructing the Familiar: The Relationship between Creative Process and Perception within My Recent Music
09h45, Fri 2nd Sep
[Abstract]
Katty Kochman , Dirk Moelants , Marc Leman IPEM (Institute for Psychoacoustics and Electronic Music), Ghent University, Belgium.
Analysis of embodied cognition thorough gestural articulation in vocal pedagogy
10h00, Fri 2nd Sep
[Abstract]
Jonathan Pitkin Royal College of Music
Raising expectations: a composer's perspective on the relationship between creative practice and music psychology
11h00, Fri 2nd Sep
[Abstract]
Johanna Devaney Music Technology Area, Schulich School of Music, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), McGill University
Jonathan Wild Music Theory and Composition Areas, Schulich School of Music, CIRMMT, McGill University
Peter Schubert Music Theory Area, Schulich School of Music, McGill University
Ichiro Fujinaga Music Technology Area, Schulich School of Music, CIRMMT, McGill University
A study of intonation tendencies in a professional SATB ensemble
11h00, Fri 2nd Sep
[Abstract]
Dr Nicky Hind Independent Composer, California
Seizing the moment: rate of change as a key parameter towards holding listener attention
11h30, Fri 2nd Sep
[Abstract]
Dr Tom Hall Anglia Ruskin University
Unaligning Diatonicism: Listening and Composing around Post-atonal Tonality
12h00, Fri 2nd Sep
[Abstract]
Daniela Prem , Richard Parncutt Centre of Systematic Musicology, University of Graz
Annette Giesriegl Department of Jazz, University of Music and Performing Arts Graz
Hubert Johannes Stiegler Centre of Information Modelling, University of Graz
Jazz vocal sound: A timbre knowledgebase for research and practice
12h00, Fri 2nd Sep
[Abstract]
Mr. Jason Dixon University of East Anglia
Dr. Férdia Stone-Davis Independent Scholar
The Given Note: Music, Attentiveness and the Enactment of Meaning
12h30, Fri 2nd Sep
[Abstract]
Steve Tromans Middlesex University
The Affective Potential of Listening in Solo Improvised Performance Practice: A Practice-as-Research Case Study
14h00, Fri 2nd Sep
Prof Richard Parncutt Centre for Systematic Musicology, University of Graz
Prof Graham Hair Science and Music Research Group, University of Glasgow
with Johanna Devaney, Valerie Ross, Emery Schubert and Rytis Ambrazevicus Panel of invited Respondants
Symposium on Consonance and Dissonance in Theory, Practice and Science
15h45, Fri 2nd Sep
[Abstract]
Clément Canonne ENS de Lyon
Nicolas B. Garnier Laboratoire de Physique, ENS de Lyon
Emergent structures in collective free improvisation
15h45, Fri 2nd Sep
[Abstract]
Dr Simon Waters School of Music, University of East Anglia, Norwich
Dr Férdia Stone-Davis [unspecified]
Repetition and Identity
16h30, Fri 2nd Sep
Marc Melo n-ISM; Science and Music Research Group, Glasgow University
Integrating Music-analytical and Performance Queries from a Unified Database
18h30, Fri 2nd Sep
[Abstract]
Frauke Jürgensen, Soprano University of Aberdeen
Ian Knopke BBC
Caroline Ritchie, various instruments Schola Cantorum Basiliensis
David Smith, various instruments , Ralph Stelzenmüller, organ University of Aberdeen
Lecture-Recital: Fifteenth-century performance practice issues and the Buxheim Organ Book
09h00, Sat 3rd Sep
[Abstract]
Katy Hamilton , Dr Natasha Loges Royal College of Music
The practical matters of programming text: approaching vocal music beyond the traditional Lied
09h45, Sat 3rd Sep
[Abstract]
Larry Mays Australian National University
Listening to Recitative
10h15, Sat 3rd Sep
Dr Jane Manning, OBE London
Voicing Pierrot
11h30, Sat 3rd Sep
[Abstract]
Anna Jordanous University of Sussex
Evaluating the creativity of computational music improvisation systems
12h00, Sat 3rd Sep
Nick Bailey n-ISM; Science and Music Research Group, Glasgow University
Machine-based Approaches to Performance Tracking

Special Events

Demonstration: Recent Machine-based Approaches to Performance-Tracking. Dr Jennifer MacRitchie1, Dr Nick Bailey2, Prof Graham Hair2, with Ms Katie Hull (violin), Dr Alex South (clarinet) and Ms Frances Morrison-Allen (Voice) 1Conservatorio della svizzera italiana 2University of Glasgow This session will be open to the General Public.
Cornelius Cardew 75th Aniversary Symposium Convened by composer Michael Chant

Followed by a recital consisting principally of selected late piano works (1978–1981) by Cardew:

  • Kerry Yong (Royal College of Music), piano
  • Natalie Tsaldarakis, piano
  • Lesley Larkum, violin
  • Michael Chant, piano

By arrangement with the Cornelius Cardew Concerts Trust.
Performance by Scottish Voices
Programme to include Selah by Judith Shatin (University of Virgina), Triptych by Nicky Hind (California) and a new work by Tom Hall (Anglia Ruskin University).

Final Instructions

Arrival, travel and maps
Printable Programme

CIM11 Information

Home
Programme
Call for Papers
Contact us

Colloquium: Anatomy of Listening

Held concurrently with CIM11

Home
Programme
Call for Papers
Colloquium Themes

Workshop: "WCRCSM"

Workshop on International Cross-Disciplinary Research Collaboration in Science and Music, and its Impact on Teaching and Practice, to be held concurrently with CIM11

Home
Programme
Call for Participation